Center for Computer Research in Music and Acoustics
CCRMA Open House 2024
Upcoming Events
Iran Sanadzadeh: Frames of Reference
FREE and Open to the Public | In Person + Livestream
Robert L. White's Cochlear Implants
Stanford Graduate Composers Present: Iran Sanadzadeh
FREE and Open to the Public | In Person
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Recent Events
Pamela Z
FREE and Open to the Public | In Person + Livestream
Christine Evers on Embodied Audio
At next **Tuesday’s** Hearing Seminar, Prof. Christine Evers from Southhampton will be talking about embodied audio, or how to teach (noisy) robots how to hear. The last time I saw Dr. Evers, she won a best presentation award, and I’m looking forward to hearing her perspective on how to help our machine (overloads :-) hear better.
CCRMA's 2024 MA/MST Cohort: In Coherence
X Meoarks the Spot
FREE and Open to the Public | In Person + Livestream
Past Live Streamed Events
Recent News
LISTEN: 1,200 Years of Earth’s Climate, Transformed into Sound
Science podcast featuring work by our fearless leader, Chris Chafe:
"When you sonify data, you experience time in a way you can’t when you look at a chart." Hal Gordon, Graduate student
Oakum - Eoin Callery
Released from behind the mixing console CCRMA's Concert Coordinator Eoin Callery has been set free to make an old-timey CD for Bay Area Label Eh? Records. Enjoy some amplified violin bow, guitar, and lots of Supercollider controlled feedback, all available on a small shiny disc and in a new fangled digital Bandcamp form.
Jonathan Berger Première
"Classical musicians face enormous expectations when they play a standard repertory work. Listeners have strong feelings about favorite pieces, even when they are open to fresh interpretive approaches.
The stakes are even higher with a premiere. Performing a new piece becomes an act of advocacy to pull an audience in.
Mystery of 101-year-old master pianist who has dementia
From the article: At first glance, she was elderly and delicate – a woman in her 90s with a declining memory. But then she sat down at the piano to play. “Everybody in the room was totally startled,” says Eleanor Selfridge-Field, who researches music and symbols at Stanford University. “She looked so frail. Once she sat down at the piano, she just wasn’t frail at all. She was full of verve.” Read more here...