Difference between revisions of "Commute"
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for my final project, i am going to make a 5 minute piece for listening that is an impressionist take of my morning commute. audio will be spatialized for playback in following formats: 8-channels, binaural, and 7.1 surround. audio included in this piece will consist of sound effect samples, field recordings, studio recordings, vst’s, and sample manipulations. i may borrow various facets of compositions(and/or audio snippets) from sources that i find particularly inspiring. sections of this immersive experience will employ different spatial/compositional techniques I have ponderer, theorized, and did my best to realize. | for my final project, i am going to make a 5 minute piece for listening that is an impressionist take of my morning commute. audio will be spatialized for playback in following formats: 8-channels, binaural, and 7.1 surround. audio included in this piece will consist of sound effect samples, field recordings, studio recordings, vst’s, and sample manipulations. i may borrow various facets of compositions(and/or audio snippets) from sources that i find particularly inspiring. sections of this immersive experience will employ different spatial/compositional techniques I have ponderer, theorized, and did my best to realize. | ||
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| + | 5/24/17 | ||
| + | project milestone | ||
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| + | Initially, I planned to do a piece in one style of music that lasted roughly 4 minutes. Now, I am going to do a virtual commute that contains music from multiple styles, all of which are mixed for multiple surround formats, which should last roughly 5 minutes. | ||
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| + | To ‘move’ objects in horizontal space, I have developed a matrix/routing scheme using seven instances of Ableton Live’s Autopan, in a root or tree like fashion. This system is rather complicated to describe in prose, but I am happy to demonstrate or draw it out for anyone interested in using it. It will be part of presentation on Thursday 5/25/17. | ||
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| + | As for the content of my multiple musical styles, I am in the process of creating these scenes in Ableton, recording friends and other musicians, gathering stems of existing tracks from friends/previous musical collaborators, and capturing some field recordings to simulate driving in a car. There will be roughly 10 different musical genres presented to the listener over the course of the 5 minute piece; half of these segments are complete, half are just concepts, only 1 or 2 are spatialized so far. | ||
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| + | This piece will be completed by Monday of Week 10 (for 8 channels). All audio should be recorded by mid-next week. Spatializing/mixing these projects will be exciting and presumably not terribly time-consuming. Later in Week 10, or perhaps during finals week, I will have separate mixes for binaural and 5.1 surround. | ||
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| + | List of people involved(so far): | ||
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| + | Chris Chafe | ||
| + | Jesse Green | ||
| + | Jay Kadis | ||
| + | Justive Njoku | ||
| + | Dylan Nyguyen | ||
| + | Davide Tiso | ||
| + | Nakul Tiruviluamala | ||
Revision as of 16:11, 24 May 2017
for my final project, i am going to make a 5 minute piece for listening that is an impressionist take of my morning commute. audio will be spatialized for playback in following formats: 8-channels, binaural, and 7.1 surround. audio included in this piece will consist of sound effect samples, field recordings, studio recordings, vst’s, and sample manipulations. i may borrow various facets of compositions(and/or audio snippets) from sources that i find particularly inspiring. sections of this immersive experience will employ different spatial/compositional techniques I have ponderer, theorized, and did my best to realize.
5/24/17
project milestone
Initially, I planned to do a piece in one style of music that lasted roughly 4 minutes. Now, I am going to do a virtual commute that contains music from multiple styles, all of which are mixed for multiple surround formats, which should last roughly 5 minutes.
To ‘move’ objects in horizontal space, I have developed a matrix/routing scheme using seven instances of Ableton Live’s Autopan, in a root or tree like fashion. This system is rather complicated to describe in prose, but I am happy to demonstrate or draw it out for anyone interested in using it. It will be part of presentation on Thursday 5/25/17.
As for the content of my multiple musical styles, I am in the process of creating these scenes in Ableton, recording friends and other musicians, gathering stems of existing tracks from friends/previous musical collaborators, and capturing some field recordings to simulate driving in a car. There will be roughly 10 different musical genres presented to the listener over the course of the 5 minute piece; half of these segments are complete, half are just concepts, only 1 or 2 are spatialized so far.
This piece will be completed by Monday of Week 10 (for 8 channels). All audio should be recorded by mid-next week. Spatializing/mixing these projects will be exciting and presumably not terribly time-consuming. Later in Week 10, or perhaps during finals week, I will have separate mixes for binaural and 5.1 surround.
List of people involved(so far):
Chris Chafe Jesse Green Jay Kadis Justive Njoku Dylan Nyguyen Davide Tiso Nakul Tiruviluamala
