Difference between revisions of "Music"
From CCRMA Wiki
Line 2: | Line 2: | ||
[http://www.alloyelectric.com/music/radioplay.mp3 Radio Play (stereo downmix)]: This piece drowns the listener in a sonic reimagining of the ocean of radio waves surrounding us at all times. To extend that metaphor of immersion, I composed it for the Listening Room. | [http://www.alloyelectric.com/music/radioplay.mp3 Radio Play (stereo downmix)]: This piece drowns the listener in a sonic reimagining of the ocean of radio waves surrounding us at all times. To extend that metaphor of immersion, I composed it for the Listening Room. | ||
+ | |||
+ | [http://www.alloyelectric.com/music/halcyonic.mp3 Halcyonic], written for that feedback piano lurking around up on the stage. This piece was named after a fictitious psychotropic drug that was supposedly removed from the market after its prescriptants experienced vivid nightmares. | ||
[http://www.alloyelectric.com/music/phoningitin.mp3 Phoning it In (stereo downmix)], for eleven (asynchronous) cell phones. | [http://www.alloyelectric.com/music/phoningitin.mp3 Phoning it In (stereo downmix)], for eleven (asynchronous) cell phones. | ||
[http://www.alloyelectric.com/music/errormap.mp3 Error:Map], for 8-string and electronics. | [http://www.alloyelectric.com/music/errormap.mp3 Error:Map], for 8-string and electronics. | ||
− | |||
− |
Revision as of 04:13, 27 January 2008
Chris Warren
Radio Play (stereo downmix): This piece drowns the listener in a sonic reimagining of the ocean of radio waves surrounding us at all times. To extend that metaphor of immersion, I composed it for the Listening Room.
Halcyonic, written for that feedback piano lurking around up on the stage. This piece was named after a fictitious psychotropic drug that was supposedly removed from the market after its prescriptants experienced vivid nightmares.
Phoning it In (stereo downmix), for eleven (asynchronous) cell phones.
Error:Map, for 8-string and electronics.